I just came across this review on Bookgasm.com (learned of it via Google Alerts):
http://www.bookgasm.com/reviews/mystery/blood-and-groom/
It's a fun and well-written review... and it's a very favourable review - here's an excerpt:
"Edmondson has a sharp and sassy style that’s deliberately not patterned noir, but a fresh and contemporary approach perfectly suited to her characters. It’s a remarkable first novel."
A great way to start the weekend!
Friday, February 26, 2010
Thursday, February 25, 2010
Writing Column from today's Globe and Mail - Russell Smith
This is a neat article on what advice established authors have for aspiring writers. Lots of it, it seems. Interestingly (but not surprisingly), much of the advice is contradictory. Hmmm... what works for you?
Click The Writing Advice Industry to read the article.
I read a few books on writing when I began my first manuscript. I came across many valuable tidbits. I also came across a lot of drek, or at least advice that didn't seem like it would suit my needs/plot/personality (especially being told to write everyday, set aside an hour a day, etc... For me, long chunks of time - ten hours on a Sunday, for example, works best, but I digress...)
What I did find helpful, though, and I mean really helpful, was reading books on how to get published, how to query an agent/publisher, how to prepare a manuscript, and similar topics.
I think each writer's voice is unique, as is each writer's story. But we all work within the same industry (a surprisingly small one at that), and learning about the techniques and tricks to get your ms or query noticed was immensely valuable. It also yeilded results.
Click The Writing Advice Industry to read the article.
I read a few books on writing when I began my first manuscript. I came across many valuable tidbits. I also came across a lot of drek, or at least advice that didn't seem like it would suit my needs/plot/personality (especially being told to write everyday, set aside an hour a day, etc... For me, long chunks of time - ten hours on a Sunday, for example, works best, but I digress...)
What I did find helpful, though, and I mean really helpful, was reading books on how to get published, how to query an agent/publisher, how to prepare a manuscript, and similar topics.
I think each writer's voice is unique, as is each writer's story. But we all work within the same industry (a surprisingly small one at that), and learning about the techniques and tricks to get your ms or query noticed was immensely valuable. It also yeilded results.
Wednesday, February 17, 2010
Resources
When you're first starting out in a field or when you're learning something completely new, it's almost as if you're stumbling around in the dark. You don't know what's out there, you don't know what questions to ask, you don't know where to get information.
Throughout the whole experience of completing my first manuscript, shopping it around, landing a contract, and having "Blood and Groom" published, I have been on one helluva learning curve! I am amazed at all the things I didn't know, and at all the resources available.
A great starting point to get a ton of information is with the Writers' Union of Canada. Their webpage has links about festivals, writing organizations, residencies and so on. Check it out at: http://www.writersunion.ca/lk_main.asp
Another equally valuable resource is the Writers' Trust of Canada. It also has information on and links to events, contests, and other items of interest to writers. Check it out at: http://www.writerstrust.com/links.html
Throughout the whole experience of completing my first manuscript, shopping it around, landing a contract, and having "Blood and Groom" published, I have been on one helluva learning curve! I am amazed at all the things I didn't know, and at all the resources available.
A great starting point to get a ton of information is with the Writers' Union of Canada. Their webpage has links about festivals, writing organizations, residencies and so on. Check it out at: http://www.writersunion.ca/lk_main.asp
Another equally valuable resource is the Writers' Trust of Canada. It also has information on and links to events, contests, and other items of interest to writers. Check it out at: http://www.writerstrust.com/links.html
Wednesday, February 10, 2010
Author Interview: Dorothy McIntosh
Hey mystery fans! Here's a heads-up on an author to watch. Dorothy McIntosh has signed a three book deal with Penguin for her Mesopotamian trilogy! Dorothy is represented by the Bukowski Agency , and Dorothy is also actively involved in Crime Writers of Canada.
Here's the interview!
1. You have a BA in English from the University of Toronto. What areas of literature did you most enjoy studying?
Amid rather intensive partying, student politics and other diversions, recalling all the literature I studied is a bit of a challenge! I loved the great English novelists and attended memorable lectures from Adrienne Clarkson on them. Thomas Hardy – a huge favourite, George Eliot and Dickens. Closer to the contemporary, D.H. Lawrence and F. Scott Fitzgerald were notable. I recently re-read The Great Gatsby and Thomas Mann’s Death in Venice and found them spellbinding all over again.
2. Next question – and surely you saw this coming – which areas of literature did you least enjoy studying?
I do remember having trouble with the antiquated language and syntax of earlier English authors. Edmund Spenser and John Milton would be two examples. I regret this now especially because I missed out on the great body of classic knowledge they opened doors to and now find that it’s very relevant to my writing.
3. You’ve obviously been a bookworm for many years, but what about the leap from reading to writing? Has writing been a life-long passion or dream?
From grade school on I loved writing poetry and essays but I had a real talent for drawing and painting and always assumed I would become a professional artist. Those plans faded when I had my daughter and started a planning career with City Hall. From time to time throughout that period I’d try my hand at writing but it was much more fantasy than practical reality. Being a single parent with a full time job simply did not leave me enough space to “write.” Only when I left my job could I fully concentrate on a new career and by then I knew with certainty that I wanted to become a “painter” of words on the printed page rather than on canvas.
4. You have had some early success with short stories (Hounds of Winter 2007, and A View To Die For). What was the most challenging thing about writing a full length novel?
There are so many challenging aspects to writing a novel it’s hard to pick just one out. For Hounds I do remember the literally dozens of revisions I made to the original story and thinking at the time, well, I could never do this for a full length novel! Well guess what, I’ve lost count of the number of revisions The Witch of Babylon has gone through at this point. That requires stamina and perseverance. And you end up only seeing trees and completely lose sight of the forest. A debut author must carry through all that without any certainty the words will find a home with a publisher. I’d also mention that cranking out a first draft, for me, is one of the single most difficult tasks. Apparently Jack London’s drafts were virtually ready for publication – the man was a genius!
5. Did you have a clear vision from the start that this would be a trilogy?
The Witch of Babylon focuses on Mesopotamian mythology so there is a certain logic to three books, each devoted to one of the great Mesopotamian cultures: Sumerian, Assyrian and Babylonian. That said, the more concrete idea for a trilogy tended to arise organically as I was writing Book One.
6. Now what about history meets mystery? Have you always been a history buff?
Short answer? No. In fact it’s a case of “mystery meets history.” I’ve developed a strong interest in history due in part to all the historical mysteries I’ve read which do a brilliant job of making “history” come alive. A central premise of The Witch of Babylon is that myths originate with real events but their meaning changes over time depending on which culture communicates the myth. The original Sumerian story of Cain and Abel for example, differs significantly from the Judaic one. It was, in fact, an interest in mythology that first spurred my interest – adding the historical detail came much later.
7. Which authors do you think had the greatest influence on you as a writer?
For the most exceptional writing that I could never hope to emulate but am inspired by: Cormac McCarthy (All the Pretty Horses), Anne Michaels (Fugitive Pieces), Rawi Hage (De Niro`s Game), Jean Rys (The Wide Sargasso Sea) and Lawrence Durell (The Alexandra Quartet). I love poetic writing. Equally and closer to our genre - James M. Cain (Double Indemnity), Cornell Woolrich (The Night Has A Thousand Eyes), Richard Neely (Shattered), J.G. Ballard (The Drowned World).
8. In one sentence, how would you describe The Witch of Babylon?
What is the link between the ancient science of Alchemy, an Old Testament prophetic book and the great Assyrian empire – New York art dealer John Madison must uncover the secret or forfeit his life.
9. How do you research your novels?
Three words: Google, Google, Google. An absolute gold mine for any researcher; would be lost without it.
10. What is your writing routine?
I get up every day at 6 a.m., and armed with a strong cup of coffee, sit at my desk and churn out 3000 words then quit six hours later. Ha! That is the ideal of course – in my case an absolute fabrication. If I told you my real writing routine you’d faint.
11. With whom do you share early drafts of your manuscripts? What kinds of feedback did you receive?
With my agent, close friends and my writing group. All provided excellent guidance on credibility gaps, writing style, characterization, plot points and more generally whether they felt compelled to turn those pages.
12. Every novelist has a half-written, unfinished manuscript tucked away in a drawer somewhere. Do you have any early works that you’ve orphaned, and if so why? The second part to this question is whether or not you’ll ever try to rescue an older, abandoned project?
I have one long abandoned manuscript and whenever I feel the need for a really good laugh, I take it out of the drawer. On the second question, I have several incubating short stories I’d like to get back to some time. I find the gaps of time allow me to see what’s good about them and where they need improvement more clearly. I do intend to finalize them in the future.
12. This last question may seem banal, but, really, I want to know, how has the whole Mesopotamian experience felt? How has it changed your life (and don’t say it hasn’t because a three book deal is a doozy – every writer’s dream)? Surely the roller coaster – from winning the Unhanged Arthur Award – to signing with Penguin – has been head spinning. Tell me about it.
I think 'head-spinning' is a very accurate description. I attended lots of ‘how to get published’seminars on the long trajectory to complete this novel and by the time I had a respectable manuscript, the prospect of getting published seemed harder than sprinting up Mount Everest. The first glimmer of the snow-white summit occurred when I was short listed by the estimable Crime Writers Association UK for the Debut Dagger. Eureka moment! Things changed radically after that. I began working with a literary agent and won the Unhanged. Penguin’s endorsement arrived followed by sales to major publishers in Germany, Italy, Russia, Lithuania, Serbia and Bulgaria.
I can only say it’s been truly euphoric at times. Great luck to work with a consummate literary agent and a really skilful editor. Gratitude for all those who’ve helped me. I’ve gained a lot of confidence but I must point out, the jury awaits. The only test that really matters is whether the reading audience gives The Witch of Babylon gains their stamp of approval. That is ahead.
And there we have it folks! Thank you Dorothy!
Here's the interview!
1. You have a BA in English from the University of Toronto. What areas of literature did you most enjoy studying?
Amid rather intensive partying, student politics and other diversions, recalling all the literature I studied is a bit of a challenge! I loved the great English novelists and attended memorable lectures from Adrienne Clarkson on them. Thomas Hardy – a huge favourite, George Eliot and Dickens. Closer to the contemporary, D.H. Lawrence and F. Scott Fitzgerald were notable. I recently re-read The Great Gatsby and Thomas Mann’s Death in Venice and found them spellbinding all over again.
2. Next question – and surely you saw this coming – which areas of literature did you least enjoy studying?
I do remember having trouble with the antiquated language and syntax of earlier English authors. Edmund Spenser and John Milton would be two examples. I regret this now especially because I missed out on the great body of classic knowledge they opened doors to and now find that it’s very relevant to my writing.
3. You’ve obviously been a bookworm for many years, but what about the leap from reading to writing? Has writing been a life-long passion or dream?
From grade school on I loved writing poetry and essays but I had a real talent for drawing and painting and always assumed I would become a professional artist. Those plans faded when I had my daughter and started a planning career with City Hall. From time to time throughout that period I’d try my hand at writing but it was much more fantasy than practical reality. Being a single parent with a full time job simply did not leave me enough space to “write.” Only when I left my job could I fully concentrate on a new career and by then I knew with certainty that I wanted to become a “painter” of words on the printed page rather than on canvas.
4. You have had some early success with short stories (Hounds of Winter 2007, and A View To Die For). What was the most challenging thing about writing a full length novel?
There are so many challenging aspects to writing a novel it’s hard to pick just one out. For Hounds I do remember the literally dozens of revisions I made to the original story and thinking at the time, well, I could never do this for a full length novel! Well guess what, I’ve lost count of the number of revisions The Witch of Babylon has gone through at this point. That requires stamina and perseverance. And you end up only seeing trees and completely lose sight of the forest. A debut author must carry through all that without any certainty the words will find a home with a publisher. I’d also mention that cranking out a first draft, for me, is one of the single most difficult tasks. Apparently Jack London’s drafts were virtually ready for publication – the man was a genius!
5. Did you have a clear vision from the start that this would be a trilogy?
The Witch of Babylon focuses on Mesopotamian mythology so there is a certain logic to three books, each devoted to one of the great Mesopotamian cultures: Sumerian, Assyrian and Babylonian. That said, the more concrete idea for a trilogy tended to arise organically as I was writing Book One.
6. Now what about history meets mystery? Have you always been a history buff?
Short answer? No. In fact it’s a case of “mystery meets history.” I’ve developed a strong interest in history due in part to all the historical mysteries I’ve read which do a brilliant job of making “history” come alive. A central premise of The Witch of Babylon is that myths originate with real events but their meaning changes over time depending on which culture communicates the myth. The original Sumerian story of Cain and Abel for example, differs significantly from the Judaic one. It was, in fact, an interest in mythology that first spurred my interest – adding the historical detail came much later.
7. Which authors do you think had the greatest influence on you as a writer?
For the most exceptional writing that I could never hope to emulate but am inspired by: Cormac McCarthy (All the Pretty Horses), Anne Michaels (Fugitive Pieces), Rawi Hage (De Niro`s Game), Jean Rys (The Wide Sargasso Sea) and Lawrence Durell (The Alexandra Quartet). I love poetic writing. Equally and closer to our genre - James M. Cain (Double Indemnity), Cornell Woolrich (The Night Has A Thousand Eyes), Richard Neely (Shattered), J.G. Ballard (The Drowned World).
8. In one sentence, how would you describe The Witch of Babylon?
What is the link between the ancient science of Alchemy, an Old Testament prophetic book and the great Assyrian empire – New York art dealer John Madison must uncover the secret or forfeit his life.
9. How do you research your novels?
Three words: Google, Google, Google. An absolute gold mine for any researcher; would be lost without it.
10. What is your writing routine?
I get up every day at 6 a.m., and armed with a strong cup of coffee, sit at my desk and churn out 3000 words then quit six hours later. Ha! That is the ideal of course – in my case an absolute fabrication. If I told you my real writing routine you’d faint.
11. With whom do you share early drafts of your manuscripts? What kinds of feedback did you receive?
With my agent, close friends and my writing group. All provided excellent guidance on credibility gaps, writing style, characterization, plot points and more generally whether they felt compelled to turn those pages.
12. Every novelist has a half-written, unfinished manuscript tucked away in a drawer somewhere. Do you have any early works that you’ve orphaned, and if so why? The second part to this question is whether or not you’ll ever try to rescue an older, abandoned project?
I have one long abandoned manuscript and whenever I feel the need for a really good laugh, I take it out of the drawer. On the second question, I have several incubating short stories I’d like to get back to some time. I find the gaps of time allow me to see what’s good about them and where they need improvement more clearly. I do intend to finalize them in the future.
12. This last question may seem banal, but, really, I want to know, how has the whole Mesopotamian experience felt? How has it changed your life (and don’t say it hasn’t because a three book deal is a doozy – every writer’s dream)? Surely the roller coaster – from winning the Unhanged Arthur Award – to signing with Penguin – has been head spinning. Tell me about it.
I think 'head-spinning' is a very accurate description. I attended lots of ‘how to get published’seminars on the long trajectory to complete this novel and by the time I had a respectable manuscript, the prospect of getting published seemed harder than sprinting up Mount Everest. The first glimmer of the snow-white summit occurred when I was short listed by the estimable Crime Writers Association UK for the Debut Dagger. Eureka moment! Things changed radically after that. I began working with a literary agent and won the Unhanged. Penguin’s endorsement arrived followed by sales to major publishers in Germany, Italy, Russia, Lithuania, Serbia and Bulgaria.
I can only say it’s been truly euphoric at times. Great luck to work with a consummate literary agent and a really skilful editor. Gratitude for all those who’ve helped me. I’ve gained a lot of confidence but I must point out, the jury awaits. The only test that really matters is whether the reading audience gives The Witch of Babylon gains their stamp of approval. That is ahead.
And there we have it folks! Thank you Dorothy!
Saturday, February 6, 2010
Bleeeep!!! The F-word
One of the first reviews of "Blood and Groom" was posted on the Dorothy L listserv by Don Longmuir of Scene of the Crime books. It was a nice review, rather complimentary, except for one thing (sort of): Longmuir mentioned that there were some, ahem, four letter words in the book. He went on to say that the swearing wasn't gratuitous, and that it did indeed fit the character/the scene, and that the salty language didn't bother him.
But, his comment made me wonder: What do readers in general think of naughty words? Do readers steer clear of effing authors who effing swear? Do readers make alowances for four letter words when they're used by the bad guys or when naughty words clearly fit the character? And, as a writer, would you sacrafice you voice (the character's voice) to please your audience (and your publisher)?
Just effing wondering ;-)
But, his comment made me wonder: What do readers in general think of naughty words? Do readers steer clear of effing authors who effing swear? Do readers make alowances for four letter words when they're used by the bad guys or when naughty words clearly fit the character? And, as a writer, would you sacrafice you voice (the character's voice) to please your audience (and your publisher)?
Just effing wondering ;-)
Friday, February 5, 2010
Famous/Funny Epitaphs
"The best is yet to come." Frank Sinatra
"That's all, folks!" Mel Blanc
"I am ready to meet my Maker. Whether my Maker is prepared for the great ordeal of meeting me is another matter." Winston Churchill
"She did it the hard way." Bette Davis
“Curiosity did not kill this cat." Studs Terkel
"I told you so, you damned fools." H. G. Wells
Mock Epitaphs
“This is on me.” Dorothy Parker
“Pardon me for not getting up.” Ernest Hemingway
“This is all over my head.” Robert Benchley
“I knew if I stayed around long enough, something like this would happen.” George Bernand Shaw
"That's all, folks!" Mel Blanc
"I am ready to meet my Maker. Whether my Maker is prepared for the great ordeal of meeting me is another matter." Winston Churchill
"She did it the hard way." Bette Davis
“Curiosity did not kill this cat." Studs Terkel
"I told you so, you damned fools." H. G. Wells
Mock Epitaphs
“This is on me.” Dorothy Parker
“Pardon me for not getting up.” Ernest Hemingway
“This is all over my head.” Robert Benchley
“I knew if I stayed around long enough, something like this would happen.” George Bernand Shaw
Wednesday, February 3, 2010
Conferences and Conventions
I'm starting to think about writers' conferences and convenions (and similar events)... I have never before gone to one. I have always wanted to go to "Bloody Words" - the one and only mystery fiction convention in Canada (usually held in Toronto). For years, I just couldn't make it, but this time I'm in! I've already registered and paid, and I am really looking forward to it.
But what about other conventions and conferences? I know there are several that pertain to crime fiction, held in various milieux around the USA (Bouchercon, Killer Nashville, Sleuthfest, Left Coast Crime, and so on).
I recognize that conventions can be a lot of fun and a great way to network or to meet fans. However, some of them get rather expensive, especially if you plan to attend more than just one or two. Besides the enrty fees, there are also travle and lodging expenses, plus plus plus.
On the other hand, perhaps the connections made, or the sales generated, or the word of mouth created make it all worthwhile.
What are your own experiences with conferences and conventions?
But what about other conventions and conferences? I know there are several that pertain to crime fiction, held in various milieux around the USA (Bouchercon, Killer Nashville, Sleuthfest, Left Coast Crime, and so on).
I recognize that conventions can be a lot of fun and a great way to network or to meet fans. However, some of them get rather expensive, especially if you plan to attend more than just one or two. Besides the enrty fees, there are also travle and lodging expenses, plus plus plus.
On the other hand, perhaps the connections made, or the sales generated, or the word of mouth created make it all worthwhile.
What are your own experiences with conferences and conventions?
Thursday, January 28, 2010
Facebook Fan Page
I was slow to adopt use of Facebook, whether as a business tool or as a personal tool. However, I have changed my tune and now see the usefulness of using Facebook for promotion.
The Fan Page is separate from my personal page. Good. My initial worry was that friends and family would get inundated with book promo postings, but this hasn't been the case.
http://www.facebook.com/sashajacksonmysteries
(You can open the page without being signed in to Facebook, and can do so even if you do not have a Facebook account. Facebook gives you a free vanilty URL once you get 100 fans).
There are, of course, many benefits to having a "Fan Page." It's a fun way to reach an audience you may not otherwise have tapped into. You can get demographics and stats about who your fans are (just general demographics - no stats are linked to individuals by name). It's also handy for planning events such as readings & signings.
I have no idea if Facebook and Fan Pages lead to sales in the end, but the page is certainly great for at least getting your name out there.
The Fan Page is separate from my personal page. Good. My initial worry was that friends and family would get inundated with book promo postings, but this hasn't been the case.
http://www.facebook.com/sashajacksonmysteries
(You can open the page without being signed in to Facebook, and can do so even if you do not have a Facebook account. Facebook gives you a free vanilty URL once you get 100 fans).
There are, of course, many benefits to having a "Fan Page." It's a fun way to reach an audience you may not otherwise have tapped into. You can get demographics and stats about who your fans are (just general demographics - no stats are linked to individuals by name). It's also handy for planning events such as readings & signings.
I have no idea if Facebook and Fan Pages lead to sales in the end, but the page is certainly great for at least getting your name out there.
Tuesday, January 19, 2010
R.I.P. Robert B. Parker...
I just saw the news online that one of the GIANTS in mystery fiction has passed away. Robert B. Parker, 77, author of the much loved "Spenser" series, plus many other fiction and academic works.
I don't think any writer influenced me more than Parker did. Much of the work I did for my MA was on mystery fiction. I read early essays by Parker, I wolfed down every Spenser novel, I referenced or quoted Parker/Spenser more than any other source.
I studied his novels and learned a lot about writing from them. The settings were great, the pace was just right and the characters... oooh... the characters: Spenser, of course, and Hawk! and Tony Marcus and all the recurring characters.
I will truly miss being able to run out to buy the latest Spenser release and then curling up in bed with a good mystery.
Thank you Robert B. Parker for all the stories and enjoyment. You shall be missed by many.
I don't think any writer influenced me more than Parker did. Much of the work I did for my MA was on mystery fiction. I read early essays by Parker, I wolfed down every Spenser novel, I referenced or quoted Parker/Spenser more than any other source.
I studied his novels and learned a lot about writing from them. The settings were great, the pace was just right and the characters... oooh... the characters: Spenser, of course, and Hawk! and Tony Marcus and all the recurring characters.
I will truly miss being able to run out to buy the latest Spenser release and then curling up in bed with a good mystery.
Thank you Robert B. Parker for all the stories and enjoyment. You shall be missed by many.
Monday, January 18, 2010
Book Judging & Book Awards
I’m more than a little curious to hear what you folks have to say on today’s topic: Crime Fiction Awards. What do they mean?
As you likely know, there are all sorts of awards for writing, from the “high-brow” awards for capital “L” literature, such as the Man Booker, National Book Award, PEN Award, Pulitzer, and so on. Then, of course, there are several genre-specific awards, for everything from romance, to western, to sci-fi.
For crime and mystery fiction there are several honours, including:
• The Edgar Awards, given by Mystery Writers of America
• The Hammett Prize, given by The International Association of Crime Writers
• The Dagger Awards, given by The Crime Writers’ Association
• There’s also The Anthony, The Agatha, The Nero, The Shamus, The Macavity; plus awards for sub-genres, such as cozy, thriller, romantic suspense, and on and on.
The first thing I wonder about is what these awards mean to readers, including book retailers and librarians. Do people make a point of watching for the announcements of shortlists and winners? Will an award prompt you to try a new author and/or a type of mystery you may not normally read? If you are a bookseller or librarian, do you routinely stock up on award winners?
Part of my curiosity stems from the fact that there are just so many books to choose from, and there is so much information out there about which books to curl up with (reviews in newspapers, and on Amazon, various blogs, Good Reads, etc.). With all these resources – all of which are accessible and immediate – why wait for an annual award...?
However, the above is only part of the reason for my curiosity. I have many more direct reasons for thinking out loud about crime fiction (and other) awards.
I am an author member of Crime Writers of Canada (CWC). Like other mystery fiction organizations, Crime Writers of Canada offers an annual award for excellence in crime writing. The awards are called the Arthur Ellis Awards (the pseudonym for Canada’s official hangman!)
The Arthur Ellis Awards (AE) are given in seven categories, including Best Novel, Best Debut Novel, Best Young Adult and so on.
Each category has three judges. The judges read each of the submissions for their category, and then they must come up with a shortlist for what they consider to be the five best books in their category. They must then choose one winner from the shortlist. There’s a party in early April to announce the shortlists, and then in June the winners are announced at the AE Awards dinner.
Like other writers’ organizations, CWC is a non-profit; much of their funding comes from membership dues. And, like several writing awards, the AE awards involve recognition, prestige, publicity... but not much in the way of cold hard cash, sigh... There are expenses involved in running the awards, though, not the least of which is shipping and delivery of all these books to all the different judges (who could be in any part of Canada).
Now here’s what you probably don’t know: many book awards and book contests have an entry fee, which is usually paid by the publisher when they submit your book(s).
I can understand that entry fees offset administration and other charges, and I suppose that charging a fee would ensure (to some extent) that only serious submissions are entered.
The fee to enter the AE is $35 (plus three copies of the book). Other mystery awards have no fee, and other literary awards (Stephen Leacock Awards) charge up to $100 to enter (plus TEN copies of the book or books).
The AE submission fee of $35 has created a bit of a stir among Canadian crime writers. Some feel this fee is too high (the fee was only $25 last year), especially when added to the cost of sending copies of the books.
So, what do you folks think of this? Should book awards have an entry fee? If you were an author and your publisher was unwilling to pay the fee, would you pay it yourself? And what about self-published authors? They don’t have a publisher who may (or may not) foot the bill.
Finally, do you think winning an award makes that much of a difference in overall sales?
I look forward to reading your comments!
As you likely know, there are all sorts of awards for writing, from the “high-brow” awards for capital “L” literature, such as the Man Booker, National Book Award, PEN Award, Pulitzer, and so on. Then, of course, there are several genre-specific awards, for everything from romance, to western, to sci-fi.
For crime and mystery fiction there are several honours, including:
• The Edgar Awards, given by Mystery Writers of America
• The Hammett Prize, given by The International Association of Crime Writers
• The Dagger Awards, given by The Crime Writers’ Association
• There’s also The Anthony, The Agatha, The Nero, The Shamus, The Macavity; plus awards for sub-genres, such as cozy, thriller, romantic suspense, and on and on.
The first thing I wonder about is what these awards mean to readers, including book retailers and librarians. Do people make a point of watching for the announcements of shortlists and winners? Will an award prompt you to try a new author and/or a type of mystery you may not normally read? If you are a bookseller or librarian, do you routinely stock up on award winners?
Part of my curiosity stems from the fact that there are just so many books to choose from, and there is so much information out there about which books to curl up with (reviews in newspapers, and on Amazon, various blogs, Good Reads, etc.). With all these resources – all of which are accessible and immediate – why wait for an annual award...?
However, the above is only part of the reason for my curiosity. I have many more direct reasons for thinking out loud about crime fiction (and other) awards.
I am an author member of Crime Writers of Canada (CWC). Like other mystery fiction organizations, Crime Writers of Canada offers an annual award for excellence in crime writing. The awards are called the Arthur Ellis Awards (the pseudonym for Canada’s official hangman!)
The Arthur Ellis Awards (AE) are given in seven categories, including Best Novel, Best Debut Novel, Best Young Adult and so on.
Each category has three judges. The judges read each of the submissions for their category, and then they must come up with a shortlist for what they consider to be the five best books in their category. They must then choose one winner from the shortlist. There’s a party in early April to announce the shortlists, and then in June the winners are announced at the AE Awards dinner.
Like other writers’ organizations, CWC is a non-profit; much of their funding comes from membership dues. And, like several writing awards, the AE awards involve recognition, prestige, publicity... but not much in the way of cold hard cash, sigh... There are expenses involved in running the awards, though, not the least of which is shipping and delivery of all these books to all the different judges (who could be in any part of Canada).
Now here’s what you probably don’t know: many book awards and book contests have an entry fee, which is usually paid by the publisher when they submit your book(s).
I can understand that entry fees offset administration and other charges, and I suppose that charging a fee would ensure (to some extent) that only serious submissions are entered.
The fee to enter the AE is $35 (plus three copies of the book). Other mystery awards have no fee, and other literary awards (Stephen Leacock Awards) charge up to $100 to enter (plus TEN copies of the book or books).
The AE submission fee of $35 has created a bit of a stir among Canadian crime writers. Some feel this fee is too high (the fee was only $25 last year), especially when added to the cost of sending copies of the books.
So, what do you folks think of this? Should book awards have an entry fee? If you were an author and your publisher was unwilling to pay the fee, would you pay it yourself? And what about self-published authors? They don’t have a publisher who may (or may not) foot the bill.
Finally, do you think winning an award makes that much of a difference in overall sales?
I look forward to reading your comments!
Sunday, January 17, 2010
Book promotion article from NY Times
Hi Folks,
This is a quickie post. I have to share this essay I read in this morning's New York Times Books section. Some great ideas about promoting your book. Have a look; it's a really good article!
http://www.nytimes.com/2010/01/17/books/review/Elliott-t.html?ref=books
This is a quickie post. I have to share this essay I read in this morning's New York Times Books section. Some great ideas about promoting your book. Have a look; it's a really good article!
http://www.nytimes.com/2010/01/17/books/review/Elliott-t.html?ref=books
Friday, January 15, 2010
Guest Speaker & Grammar & Writing
So, last night I was a guest speaker at a Creative Writing class at a local college. It was pretty cool to talk with the students about writing and my experience with being published for the first time and all of that cool stuff.
It was interesting to see their reactions when I talked about GRAMMAR!!! Ugh, of course, not an overwhelmingly fascinating topic, but a necessary one. One student asked if it was okay to skip/overlook/ignore grammatical errors (and/or punctuation and spelling), because the editors/proofreaders and others at the publishing house could/would catch them and fix them.
No. No. Nonono! And no!
First of all, you have to know the rules before you break them. Second of all, you want to send them the best product you can. Thirdly, you don't want to create extra or unnecessary work for them. Think of it this way: if you were a publisher would you want to take on a manuscript that needed little work or lots of work before it were ready to go to the printer?
As for the remark above re: rules and breaking them: Well, no, your book doesn't have to be 100% to-the-letter, grammatically perfect. Write a sentence fragment, if it is effective. End a sentence with a preposition, if it works. Let characters say things like "I ain't going nowheres" if it suits them. But... know what the rules are before you take creative liberties with them. It will result in a much better final product!
The Online Writing Lab at Purdue University is a very helpful grammar resource.
It was interesting to see their reactions when I talked about GRAMMAR!!! Ugh, of course, not an overwhelmingly fascinating topic, but a necessary one. One student asked if it was okay to skip/overlook/ignore grammatical errors (and/or punctuation and spelling), because the editors/proofreaders and others at the publishing house could/would catch them and fix them.
No. No. Nonono! And no!
First of all, you have to know the rules before you break them. Second of all, you want to send them the best product you can. Thirdly, you don't want to create extra or unnecessary work for them. Think of it this way: if you were a publisher would you want to take on a manuscript that needed little work or lots of work before it were ready to go to the printer?
As for the remark above re: rules and breaking them: Well, no, your book doesn't have to be 100% to-the-letter, grammatically perfect. Write a sentence fragment, if it is effective. End a sentence with a preposition, if it works. Let characters say things like "I ain't going nowheres" if it suits them. But... know what the rules are before you take creative liberties with them. It will result in a much better final product!
The Online Writing Lab at Purdue University is a very helpful grammar resource.
My first interview ever!
This just came out this morning. Of course, I was very happy to read it. Published in "Niagara This Week".
http://www.niagarathisweek.com/news/article/412526--sassy-sleuth-sascha-jackson-to-be-featured-in-crime-time
http://www.niagarathisweek.com/news/article/412526--sassy-sleuth-sascha-jackson-to-be-featured-in-crime-time
Sunday, January 10, 2010
Character Names
I'd like to hear from some fellow writers about the following:
How do you choose your characters' names?
I actually spend a fair bit of time on this and just when I think I have it, I change my mind again.
Do you dig through old yearbooks? Look at the phone directory? Use friends/family/neighbours/acquaintances for inspiration about character naming?
Are surnames harder than first names? Do you have diminutives or nicknames for your characters? Do you try not to have too many first names that begin with the same letter? How important are names to your readers? Is it hard to avoid cliches with some names/characters? Finally, is it more of a challenge to come up with ethnic names/names that reflect diversity?
My second manuscript is done - and has been done for a while - but I'm still not 100% happy with the first name of one of the key characters. Sigh...
How do you choose your characters' names?
I actually spend a fair bit of time on this and just when I think I have it, I change my mind again.
Do you dig through old yearbooks? Look at the phone directory? Use friends/family/neighbours/acquaintances for inspiration about character naming?
Are surnames harder than first names? Do you have diminutives or nicknames for your characters? Do you try not to have too many first names that begin with the same letter? How important are names to your readers? Is it hard to avoid cliches with some names/characters? Finally, is it more of a challenge to come up with ethnic names/names that reflect diversity?
My second manuscript is done - and has been done for a while - but I'm still not 100% happy with the first name of one of the key characters. Sigh...
Friday, January 8, 2010
More good reviews!
I'm so very fortunate! I just saw two more reviews for "Blood and Groom". Both reviews are on blogs and both are really good!
Living a Life of Writing says:
"A fun fast paced read, with a better ending than I could have imagined, Sasha Jackson deserves a repeat performance. The writing is witty and fun, with more than a few twists on cliches."
Check out the review at: http://rebeccasbook.blogspot.com/2010/01/review-blood-and-groom-by-jill.html
The next review is from She Does The City, and says:
"Bonus fun for Toronto readers are the spot-on descriptions of local settings like The Pilot, Steve’s Music Store and The Horseshoe. It’s a quick, entertaining read best enjoyed with double vodka tonics and morning after grilled cheeses."
Check out the review at: http://www.shedoesthecity.com/blood_and_groom
It's so great that people are writing about it. For a first time author, I am pretty darn lucky.
I must comment here on my previous post about reviews. So far, I have only had two reviews in traditional press, i.e. print, but I have now had five reviews on various blogs. This leads me to wonder about reviews in general and where readers look for book info. Given that print publishers have reduced the amount of space devoted to book reviews, I think it's safe to guess that more and more readers will check out blogs to find out about new releases... In any case, I'm very lucky (and very glad!) that I'm getting reviews, whether online, in print, or via carrier pigeon!
More on luck later this weekend: Out of the blue today, I got not one but two requests for interviews! I've never been interviewed before, so this will be cool!
Living a Life of Writing says:
"A fun fast paced read, with a better ending than I could have imagined, Sasha Jackson deserves a repeat performance. The writing is witty and fun, with more than a few twists on cliches."
Check out the review at: http://rebeccasbook.blogspot.com/2010/01/review-blood-and-groom-by-jill.html
The next review is from She Does The City, and says:
"Bonus fun for Toronto readers are the spot-on descriptions of local settings like The Pilot, Steve’s Music Store and The Horseshoe. It’s a quick, entertaining read best enjoyed with double vodka tonics and morning after grilled cheeses."
Check out the review at: http://www.shedoesthecity.com/blood_and_groom
It's so great that people are writing about it. For a first time author, I am pretty darn lucky.
I must comment here on my previous post about reviews. So far, I have only had two reviews in traditional press, i.e. print, but I have now had five reviews on various blogs. This leads me to wonder about reviews in general and where readers look for book info. Given that print publishers have reduced the amount of space devoted to book reviews, I think it's safe to guess that more and more readers will check out blogs to find out about new releases... In any case, I'm very lucky (and very glad!) that I'm getting reviews, whether online, in print, or via carrier pigeon!
More on luck later this weekend: Out of the blue today, I got not one but two requests for interviews! I've never been interviewed before, so this will be cool!
Sunday, December 27, 2009
Another good review!!!
I'm just thrilled to have stumbled upon another good review of
Blood and Groom! This one appeared on the New Mystery Reader website.
http://www.newmysteryreader.com/November_%20Paperback_%20mystery.htm
Blood and Groom by Jill Edmondson
Publisher: Dundurn Press ISBN: 978-1-55488-430-8
Reviewed by Anne K. Edwards, New Mystery Reader
Retired rock singer turned private investigator Sasha Jackson finds herself employed by a nasty woman who owns an art gallery. This woman wants Sasha to find out who killed her ex fiancé to clear her own name of suspicion that seems to follow her around.
Sasha starts her investigation with questions to all the people who knew the groom and they seem to mostly favor the art gallery owner, Christine Arvisais, as the killer. But, she has an alibi.
The investigation leads Sasha deeper into the lives of the family and friends of the deceased that bring complications into the mix and danger. And she then learns of another ex fiancé dying and the weirdness that goes with it. Her investigation takes a new direction and she is soon on the track of a killer.
This is an investigator with a different background to hold the attention of any mystery reader looking for something a little different. A private investigator with a second job on a phone sex line as extra trappings will show the reader how she survives until her new business takes off.
Recommended for the mystery fan who likes those touches of reality that bring true life into their world. Talented author Jill Edmondson has crafted a set of intriguing characters set in a background where the raw edges of moneyed life meets the gritty reality of survival of poverty.
Blood and Groom! This one appeared on the New Mystery Reader website.
http://www.newmysteryreader.com/November_%20Paperback_%20mystery.htm
Blood and Groom by Jill Edmondson
Publisher: Dundurn Press ISBN: 978-1-55488-430-8
Reviewed by Anne K. Edwards, New Mystery Reader
Retired rock singer turned private investigator Sasha Jackson finds herself employed by a nasty woman who owns an art gallery. This woman wants Sasha to find out who killed her ex fiancé to clear her own name of suspicion that seems to follow her around.
Sasha starts her investigation with questions to all the people who knew the groom and they seem to mostly favor the art gallery owner, Christine Arvisais, as the killer. But, she has an alibi.
The investigation leads Sasha deeper into the lives of the family and friends of the deceased that bring complications into the mix and danger. And she then learns of another ex fiancé dying and the weirdness that goes with it. Her investigation takes a new direction and she is soon on the track of a killer.
This is an investigator with a different background to hold the attention of any mystery reader looking for something a little different. A private investigator with a second job on a phone sex line as extra trappings will show the reader how she survives until her new business takes off.
Recommended for the mystery fan who likes those touches of reality that bring true life into their world. Talented author Jill Edmondson has crafted a set of intriguing characters set in a background where the raw edges of moneyed life meets the gritty reality of survival of poverty.
Tuesday, December 22, 2009
Libraries are your friends!
Hey there fellow authors and aspiring writers!
One thing I have seen little of (actually, almost nothing of) around the blogosphere is the topic of libraries.
As an author, I love libraries!
Now, writers out there may be saying: "But wait, why do you love libraries? People borrow your book for free. Wouldn't you prefer that people bought it rather than borrowed it? Don't you miss out on all those royalties?"
Hopefully lots of people borrow it!
Libraries are good to authors in three specific ways:
1. They usually promote new books, new authors, new titles. They often have newsletters offering blurbs on recent acquisitions. They frequently set up display tables with "new" books or "this just in," or they will sometimes set up a table by "Canadian authors" or other themes.
Unless you have a BIG budget, it would be next to impossible to get that kind of prominent display and/or publicity from the big chain bookstores.
Your book can and will get noticed because of any of these types of library promotion. For example, the Toronto library system ordered 14 copies of "Blood and Groom" and there are 33 holds placed already on returning copies. The Ottawa library system has ordered 7 copies of my book, as as of this morning, there are 24 holds placed on returning copies.
2. Okay, so you're not making huge royalties from each borrower, but the library users can spread word of mouth. People may notice them reading your book on the bus, or may see them reading your book during the lunch break. They may tell a couple of friends (or,hopefully many friends) about it ... and maybe some of those people will go out and buy a copy... When you're a new author, your main concern should be on getting an audience, building a readership, generating a buzz...
3. Libraries LOVE events: author meet & greet, readings, panel discussions, etc. Authors are generally welcome to bring books for sale and signing at such events. So, again, there's potential for word or mouth; there is an opportunity to build your audience; you might sell some books, and... I can't see any disadvantages.
As a new author, I am getting mixed responses from bookstores about having events. Some welcome the idea, but would prefer to wait until I have a second book out; some are more interested in having events with 2 or 3 authors. I can understand all this; it makes perfect sense as they're in business to sell books, and new authors might not be much of a "draw"... yet!
So, for now, I will keep plugging away at both, but I fully intend to spend just as much time promoting at libraries as I do with retailers.
Cheers and Merry Christmas!
Jill (and Sasha)
One thing I have seen little of (actually, almost nothing of) around the blogosphere is the topic of libraries.
As an author, I love libraries!
Now, writers out there may be saying: "But wait, why do you love libraries? People borrow your book for free. Wouldn't you prefer that people bought it rather than borrowed it? Don't you miss out on all those royalties?"
Hopefully lots of people borrow it!
Libraries are good to authors in three specific ways:
1. They usually promote new books, new authors, new titles. They often have newsletters offering blurbs on recent acquisitions. They frequently set up display tables with "new" books or "this just in," or they will sometimes set up a table by "Canadian authors" or other themes.
Unless you have a BIG budget, it would be next to impossible to get that kind of prominent display and/or publicity from the big chain bookstores.
Your book can and will get noticed because of any of these types of library promotion. For example, the Toronto library system ordered 14 copies of "Blood and Groom" and there are 33 holds placed already on returning copies. The Ottawa library system has ordered 7 copies of my book, as as of this morning, there are 24 holds placed on returning copies.
2. Okay, so you're not making huge royalties from each borrower, but the library users can spread word of mouth. People may notice them reading your book on the bus, or may see them reading your book during the lunch break. They may tell a couple of friends (or,hopefully many friends) about it ... and maybe some of those people will go out and buy a copy... When you're a new author, your main concern should be on getting an audience, building a readership, generating a buzz...
3. Libraries LOVE events: author meet & greet, readings, panel discussions, etc. Authors are generally welcome to bring books for sale and signing at such events. So, again, there's potential for word or mouth; there is an opportunity to build your audience; you might sell some books, and... I can't see any disadvantages.
As a new author, I am getting mixed responses from bookstores about having events. Some welcome the idea, but would prefer to wait until I have a second book out; some are more interested in having events with 2 or 3 authors. I can understand all this; it makes perfect sense as they're in business to sell books, and new authors might not be much of a "draw"... yet!
So, for now, I will keep plugging away at both, but I fully intend to spend just as much time promoting at libraries as I do with retailers.
Cheers and Merry Christmas!
Jill (and Sasha)
Sunday, December 20, 2009
SUPERMOMS, SUPERSLEUTHS
Way cool! My article on single mothers in crime fiction was posted today on the "Type M for Murder" blog.
The question is: with such a strong presence of women in crime fiction, why are so many of the heroines "amateur" sleuths? Where are the single mother police procedurals?
Have a look and let me know what you think. There really does seem to be a potential niche for a hardboiled, single mom, police procedural or similar...
http://www.typem4murder.blogspot.com/
Cheers, Jill
Friday, December 18, 2009
Do you really need an agent?
I can hear the screaming already!
What??? Why do you even have to ask??? Whaddaya mean: "Do you really need an agent?"
It's an innocent question, and not one meant to rankle anyone. I'm just wondering aloud...
In my early days, when I first started writing, my instructor at the only writing course I've ever taken was not a fan of agents. Her point had more to do with economics than anything else. As she put it, writers make so very little these days anyway, that automatically giving away 10 or 15 percent to an agent was not fiscally sound.
Now, before you jump on me, I must state that I heard these words as I was starting out, and, although, they've obviously stuck, I did keep an open mind about agents (since all was and still is new to me).
I can see the advantages that an agent can offer, number one being: landing you a publishing contract. Bingo! That's what all aspiring writers ultimately crave, isn't it? To be published? For a new, unknown author, an agent can open doors, pave the way, and all that good stuff.
However, in my case, I thought I'd try things both ways. I sent out twenty query letters. Two of my letters were sent to agents and the remaining 18 were sent to publishing houses. FYI - I live in Canada and queried only Canadian agents and publishers.
I got rejection letters from both agents.
But, I was offered a contract within about 3 months by a reputable publisher, and my book is now in stores.
I'm not trying to be a naysayer, but in my case things worked out well (and rather quickly) doing it on my own.
I wonder how many aspiring writers focus on getting an agent rather than applying directly to the publishing houses? I also wonder about the relationship between (not getting) an agent and self-publishing. Hmmmm... Do many people try the other steps or do they look at publishing as an either or situation between agents and vanity press?
I would love to hear from writers and agents about the relationships, and pros and cons of working with an agent. I know there is still much for me to learn about the world of publishing and I am curious about your own stories and experiences.
Thanks, Jill
What??? Why do you even have to ask??? Whaddaya mean: "Do you really need an agent?"
It's an innocent question, and not one meant to rankle anyone. I'm just wondering aloud...
In my early days, when I first started writing, my instructor at the only writing course I've ever taken was not a fan of agents. Her point had more to do with economics than anything else. As she put it, writers make so very little these days anyway, that automatically giving away 10 or 15 percent to an agent was not fiscally sound.
Now, before you jump on me, I must state that I heard these words as I was starting out, and, although, they've obviously stuck, I did keep an open mind about agents (since all was and still is new to me).
I can see the advantages that an agent can offer, number one being: landing you a publishing contract. Bingo! That's what all aspiring writers ultimately crave, isn't it? To be published? For a new, unknown author, an agent can open doors, pave the way, and all that good stuff.
However, in my case, I thought I'd try things both ways. I sent out twenty query letters. Two of my letters were sent to agents and the remaining 18 were sent to publishing houses. FYI - I live in Canada and queried only Canadian agents and publishers.
I got rejection letters from both agents.
But, I was offered a contract within about 3 months by a reputable publisher, and my book is now in stores.
I'm not trying to be a naysayer, but in my case things worked out well (and rather quickly) doing it on my own.
I wonder how many aspiring writers focus on getting an agent rather than applying directly to the publishing houses? I also wonder about the relationship between (not getting) an agent and self-publishing. Hmmmm... Do many people try the other steps or do they look at publishing as an either or situation between agents and vanity press?
I would love to hear from writers and agents about the relationships, and pros and cons of working with an agent. I know there is still much for me to learn about the world of publishing and I am curious about your own stories and experiences.
Thanks, Jill
Saturday, December 12, 2009
Very Excited! Just got a great review!
"Blood and Groom" got a great review by Don Graves in today's
Hamilton Spectator!!!!
The full text can be found here: http://www.thespec.com/Entertainment/Books/article/689371
Excerpts of Don Graves's comments:
"Edmondson shows promise with deft plotting and
The full text can be found here: http://www.thespec.com/Entertainment/Books/article/689371
Excerpts of Don Graves's comments:
"Edmondson shows promise with deft plotting and
clues constructed to provide inroads
into the characters and the action."
"Edmondson shows the storytelling skill to turn this debut into
"Edmondson shows the storytelling skill to turn this debut into
a Toronto-focused series with room to grow. "
Needless to say, I am absolutely thrilled!
Needless to say, I am absolutely thrilled!
Guest Blogger: Donna Carrick
This post is from Guest Blogger Donna Carrick! Thanks Donna!
Donna is the author of The First Excellence, Gold and Fishes, and The Noon God. She is also an active member of Crime Writers of Canada.
Social Media and the Arts ~ by Donna Carrick, December 12, 2009
I’m a huge fan of Twitter, FaceBook and LinkedIn. In my opinion, these on-line tools and others like them are invaluable to the modern artist.
It’s true, not everyone shares my affection for Social Media. We’ve all heard the arguments: It takes too much time away from writing… Book sales do not correlate to number of ‘Tweets’ … Everyone on the Internet is trying to sell something… etc…etc.
Valid arguments, all. And yet… there is another factor to consider when weighing the value of today’s Internet connectivity.
As artists, (writers, painters, musicians …you get it) we have a responsibility to the future. That responsibility, in a nutshell, is to pass down our art to those who follow – to tell them what we can about our place and time.
What I am currently witnessing within the heart of the Social Media jungle is a powerful movement of new, vibrant, unfettered and independent artists. In my own tiny corner of the great forest, I’ve ‘met’ a virtual army of talented writers. Many are forming groups even as I prepare this blog. At least three are planning a 2010 Independent Artists Festival in Europe based on contacts formed through Twitter.
It’s ‘renaissance’ time, folks! The new guard is forging ahead and will not be quelled. Its passion is fuelled by the sense of artistic camaraderie that is emerging from Twitter, FaceBook, LinkedIn and the others. These are indeed exciting times!
If our only goal as writers is to sell more books, then Social Media may not be the answer. But if we want to shake the world, well, that’s another story! Take a moment to be still and feel it. The earth has already begun to move.
Lofty ideas? Perhaps. But majesty and grandeur have always been the objectives of the artist. Expressing those ideals is the writer’s mandate.
I firmly believe tomorrow’s ‘greats’ will emerge from within this Social Media groundswell. With that in mind, regardless of whether I “sell more books”, I want to be a part of the wave!
Yours in moving together towards the future,
Donna Carrick
www.donnacarrick.com
Donna's links for Twitter, Facebook and LinkedIn are:
Twitter: @donna_carrick
http://twitter.com/Donna_Carrick
FaceBook: Donna Carrick
http://www.facebook.com/home.php?filter=lf#/donna.carrick?ref=profile
LinkedIn: Donna Carrick
http://www.linkedin.com/myprofile?trk=hb_side_pro
Wednesday, December 9, 2009
What a SMASH!
Well, the "Blood and Groom" launch party was last night, and I'm pleased to say it was a smashing success!
I've been worriying, and planning, and worrying some more, and micromanaging this event since early autumn, and the soiree turned out even better than I'd hoped or dreamed!
Great crowd! The folks from COPE were all there (thank you!), lots of friends and family, a big group from Dundurn, old high school chums, the book club chicks, the trivia folks, GBC staff and students, and a few people I haven't seen in 10 or 20 years... HOLY SMOKES! WOW!
Ace Anais (one of my students) played the part of the Bloody Bride: doesn't she look wonderful! And, yes, that really was my wedding dress!
Moose the Florist outdid himself with the flowers. These are real roses with images printed right on them! We gave single roses to every guest and I had two bouquets: one fresh flowers and the other dried flowers. Very cool! http://www.sayitwitharose.ca/
My neighbour Patricia is awesome and I couldn't have pulled this off without her! Patricia baked the cake, acted as cashier and sales clerk for the books, and basically she kept me sane!
I sold and signed over one hundred books! Wow, what a fun and heady feeling seeing people line up to get a book signed by little old moi!
So, a great night and I couldn't be happier!
Thanks everyone!
Tuesday, December 8, 2009
Blood and Groom Launch party is tonight!!
Party is from 5:00 to 10:00 pm at The Pilot Tavern (second floor) , 22 Cumberland Avenue (near Yonge & Bloor) , Toronto.
I am so excited and so nervous!
I think I have planned out every little detail: food, drink, decorations, music, and so on.
A lot of friends have helped me organize the party - kudos to them!
I expect a good turn-out (100+ people!)
Cheers, Jill
I am so excited and so nervous!
I think I have planned out every little detail: food, drink, decorations, music, and so on.
A lot of friends have helped me organize the party - kudos to them!
I expect a good turn-out (100+ people!)
Cheers, Jill
Saturday, December 5, 2009
Mystery writers' organizations
Hey Folks,
Time to do a bit of PR for some local organizations that have helped me A LOT!
Crime Writers of Canada (CWC) is an organization for... you guessed it. I have been involved with them (one way or another) for about four or five years. I began as an associate member (that's the designation for fans and unpublished but aspiring writers). In the last year or so, I have become an (ahem) author member.
This is a great group to be a part of. They have some cool discussions via their Yahoo group, they have a mentoring program, they publish a monthly newsletter detailing author events, and they offer all sorts of other goodies.
CWC presents the Arthur Ellis Awards (AE) for excellence Canadian Crime Writing. A few years ago, I was one of the judges for the Best Novel category. I got to read a lot of great books that I may never have stumbled upon, by authors I hadn't yet heard of. That was fun and a neat conversation starter at dinner parties.
The AE is named for Canada's last official hangman. For more info about the awards, check http://en.wikipedia.org/wiki/Arthur_Ellis_Awards
CWC has recently created a fan page on Facebook. Check it out at: (Crime.Writers.Canada). There's lots of good mystery info on there and a lot of fun stuff, like photos, book trailers, and links.
Another organization I belong to is Sisters in Crime, Toronto chapter (SinC). They're also a great resource and a great support for mystery writers and fans. Their monthly newsletter includes reviews, trivia, event listings and maybe an interview or two.
SinC also has monthly meetings with a neat variety of guest speakers, from newly published authors to a talk on poisons that are available in your backyard (you'd be surprised at how deadly some of those pretty flowers or innocent looking mushrooms can be).
http://www.torontosistersincrime.ca/
http://www.facebook.com/Crime.Writers.Canada
http://crimewriterscanada.com/cwcNew/index.html
I definitely think aspiring writers (for mystery or any other genre) should get involved in writing groups or associations. I've learned a lot from both CWC and SinC, I've met some cool people, and have had a lot of support and encouragement as I worked away at my writing.
Plus, both groups are having their Christmas parties this week, yippee! Time to eat, drink and be deadly!
Cheers, Jill
Time to do a bit of PR for some local organizations that have helped me A LOT!
Crime Writers of Canada (CWC) is an organization for... you guessed it. I have been involved with them (one way or another) for about four or five years. I began as an associate member (that's the designation for fans and unpublished but aspiring writers). In the last year or so, I have become an (ahem) author member.
This is a great group to be a part of. They have some cool discussions via their Yahoo group, they have a mentoring program, they publish a monthly newsletter detailing author events, and they offer all sorts of other goodies.
CWC presents the Arthur Ellis Awards (AE) for excellence Canadian Crime Writing. A few years ago, I was one of the judges for the Best Novel category. I got to read a lot of great books that I may never have stumbled upon, by authors I hadn't yet heard of. That was fun and a neat conversation starter at dinner parties.
The AE is named for Canada's last official hangman. For more info about the awards, check http://en.wikipedia.org/wiki/Arthur_Ellis_Awards
CWC has recently created a fan page on Facebook. Check it out at: (Crime.Writers.Canada). There's lots of good mystery info on there and a lot of fun stuff, like photos, book trailers, and links.
Another organization I belong to is Sisters in Crime, Toronto chapter (SinC). They're also a great resource and a great support for mystery writers and fans. Their monthly newsletter includes reviews, trivia, event listings and maybe an interview or two.
SinC also has monthly meetings with a neat variety of guest speakers, from newly published authors to a talk on poisons that are available in your backyard (you'd be surprised at how deadly some of those pretty flowers or innocent looking mushrooms can be).
http://www.torontosistersincrime.ca/
http://www.facebook.com/Crime.Writers.Canada
http://crimewriterscanada.com/cwcNew/index.html
I definitely think aspiring writers (for mystery or any other genre) should get involved in writing groups or associations. I've learned a lot from both CWC and SinC, I've met some cool people, and have had a lot of support and encouragement as I worked away at my writing.
Plus, both groups are having their Christmas parties this week, yippee! Time to eat, drink and be deadly!
Cheers, Jill
Friday, November 27, 2009
My first EVER review!!!
And it's in Margaret Cannon's column in Canada's national newspaper!http://www.theglobeandmail.com/books/new-in-crime-fiction/article1379112/
Also a review on the "Book Bird Dog" blog: saying:
"Good mystery plots, clever title. The mystery splits into two separate stories later in the book, and it's done well."http://bookbirddog.blogspot.com/2009/11/book-review-blood-and-groom-by-jill.html
Also a review on the "Book Bird Dog" blog: saying:
"Good mystery plots, clever title. The mystery splits into two separate stories later in the book, and it's done well."http://bookbirddog.blogspot.com/2009/11/book-review-blood-and-groom-by-jill.html
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