A Fiction Writer’s Dilemma
by
K. Wodke
Some writers are planners; some like to fly
by the seat of their pants.
I’m somewhere in the middle. The question that
often stumps me is this: what happens next? This uncertainty is the bane of my
writing life. I’m sure other authors/writers deal with this more easily than I
do. I imagine they pull the next act from a file drawer in their brains, or
pull on their sturdy boots and tromp into the fertile wilds of their
imagination, or perhaps fall asleep and dream of viable options.
Not me.
For
me, it’s been practically a syndrome. I can start with a great concept for a
story, go full speed ahead, and then suddenly fall off the precipice of my idea
and find nothing there to hold me up, like a train running out of track over a
steep cliff. Freefalling into the inspirational void is a bit scary. And can be
quite frustrating as well.
This doesn’t happen when I’m writing with
my co-author, PJ. We never seem to run out of ideas as a team. No, the what
happens next syndrome only strikes me when working on my solo projects. Fortunately,
I have discovered some techniques that ease me past this crippling obstacle.
Surprisingly, it turns out that when I don’t know what to write next, the
answer is to write anyway.
The following are suggestions that have worked for
me:
Make a schedule. I find I am much more productive now that I’ve established a
schedule for my writing instead of just fitting it in willy-nilly. I’ve had no
real excuse for being so lackadaisical; I don’t work an outside job. Writing is
my job. Given that fact, I reasoned it’s important to spend some time each day
on my job. I’ve found it doesn’t necessarily have to be the same time every
day, as long as I set aside time each day to write.
Define a goal. I have yet to reach my daily writing goal, but I’m not abandoning
it because it’s something to shoot for. It is my personal ambition to put out
70,000 words in a 30-day period, which means I must write 2,333 words per day,
with no days off. Like I said, I haven’t met that daily goal yet, but I’ve come
close. And at least I’m writing. I strive. In that striving, I
accomplish something. And something is better than nothing.
Track your work. I’ve started keeping a record of how many words I write each day.
It only takes a few seconds to jot it down and I can look back over my chart
and see that progress is being made. On dry days, this chart can give the
spirit a boost.
Peruse your favorite how-to book. I’ve read a number of good books on the subject of writing, but my
current favorite is No
Plot? No Problem by Chris Baty. It’s written with a casual, humorous
style that I find helpful and engaging, and I feel it specifically addresses my
particular problem with what happens next. I’ve been inspired by this
book.
Write when you don’t feel like it. Many times throughout my
life, I’ve had to report to a job when I didn’t feel up to the task. My boss
expected my presence and my co-workers depended on my
contribution. I’ve
decided that writing is no different. It’s my career now (as well as my
pleasure) and I’d better show up to get the job done. On my solo writing
projects, I don’t have co-workers to cover for me and take up the slack when
I’m absent. I realize perfect attendance is not always possible. There are
illnesses and family emergencies, etc., but most of the time I succeed in producing
something each day. It may not be my best work, but that’s why writers edit and
revise later on down the line. Some days, creativity flows like a swollen river
down a mountain pass and you can barely type fast enough to get it all down.
Other days, it’s like mining for nonexistent diamonds, every word a painful struggle.
But write anyway.
Establish a writing routine or ritual. Having a set of props or habits that get you in the mode for
writing is a big help, something that lets your mind know it’s time to tap that
creative fount. My ritual involves a big cup of French vanilla-flavored coffee
to help me concentrate. For some writers, it’s a certain kind of music playing
in the background. For others, it’s chocolate. Or their cat curled up in the
corner. Or first cleaning and organizing their desk. Or pulling out their
storyboards and diagrams. Only you can decide what ritual works for you.
Avoid social media until the work is
done. I saw this suggestion on a blog and recognized
the wisdom. Social media is very important with regard to marketing your work,
connecting with others of your ilk, and for the pleasure of interacting with
fellow human beings. But, it is a time-consumer and will eat into your writing hours
like a hungry piranha. I’m working to implement this most helpful advice,
though it’s hard to ignore Twitter. It does call to me...
When writer’s block strikes. This dastardly affliction raises its ugly head from time to time,
but you do not need to allow it to destroy your goals. Here is how I spit in
the face of this monster: at the end of
my working copy or draft, I keep a list
of ideas. Even when I’m not writing, I can still work on my project by adding
to that list of ideas. The list includes scene ideas, perhaps snippets of
dialogue I’ve heard in my head, descriptions that need to be incorporated in
the tale, concepts that could be explored, interesting characters that could be
added, brainstorming possibilities, etc. There is often research to be done as
well. When writer’s block shows up to spoil the party, I just keep rolling along
as if it doesn’t exist, workings on tasks that are just as important to the
process as putting the words on the page. Does that count as writing? I think
it does, although this work is not included in my daily word count. And it
never hurts to spend a little time courting your muse by indulging in that
which you find inspiring, whether it’s listening to music, gazing at beautiful
art, looking at photographs, going for a walk, or just having a conversation
with someone. Your muse just might sneak back and peer over your shoulder, curious
about what you are doing, and ready to whisper in your ear once more.
Rest assured answers will come. Yes, sometimes answers to the what happens next dilemma
magically appear when you are least expecting it. As you write, your story
takes on a life of its own; characters evolve; situations expand; and motives
deepen. Remember, if you don’t like the way your story is turning out, you can
always save a new copy and take it a different direction. (Never delete your
old copy; there may be treasures inside that you can use a different way or for
another project.) You are the boss of your work. So get in there, take
authority over it, and make it behave!
Most recently, I encountered the what
happens next dilemma while writing Mirtis
Tod, my novelette about a woman who is the opposite of brain-dead. Once
I set up the story, I struggled to find an answer for this character whose
physical body had died, leaving her awareness intact. Since her body continued
to deteriorate, Mirtis faced quite a serious predicament. And so did I. I
needed to solve her problem by the end of the tale. In the beginning, I didn’t
know how it would be resolved, but I knew I wanted her to meet some interesting
characters along the way and there were concepts I wished to express. So, I
worked on those areas and just kept on writing. The solution eventually
presented itself to me and I was able to give Mirtis Tod a conclusion
with which I was satisfied.
Remember, even when you’re not sure what
happens next or how you want your story to end, don’t let that bring your
work to a screeching halt. Keep on writing!
K. Wodke has published two novelettes: Mirtis
Tod, a short novel of uplifting horror, and James
Willis Makes a Million, a book geared toward young readers that can be
enjoyed by those of all ages.
Along with PJ Hawkinson, she is half of the
writing team, Wodke
Hawkinson. Their co-authored works include Betrayed,
Zeke,
Sue,
Tangerine,
three volumes of short fiction, and several short story singles.
Connect on Facebook
Check out the books on AMAZON
Or on Twitter: @WodkeHawkinson
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